After our tutorial with Esther, she confirmed some of our thoughts that the footage was excessively grainy and some of the framing was a bit wide with too much space but said there was potential in the piece. She suggested we put in some close-up shots to give the piece more dynamic range and to make it less slow paced.
This is something we immediately remedied. She also mentioned that we could benefit from writing down what shots we have in what order away from the computer in order to get a clearer idea of the structure. Below is a picture of this process:
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